The project temples to -entropy attempts to create the beginnings of a framework that allow myself and others to create, and live in service of an overall maximization of the presence of life.
In the worldview
Good is presence of life and Beauty is evidence of life.
After much searching it seemed that
the animacy of a being is connected to the uniqueness of their expression, where sensitive, un-imposed practices of processes sustain the creation of new form.
After much searching it seemed that
the animacy of a being is connected to the uniqueness of their expression, where sensitive, un-imposed practices of processes sustain the creation of new form.
The way more unique expressions can be found is through being sensitive to forms that are less-so imposed and more-so evolved through an un-imposed practice of a process. Although a presence of life is not a binary but is instead a gradient, I believe that
biology is the greatest in presence of life and in originality of expression, in a way that is possible to feel but probably impossible to quantify.
In an age where humans impose to the greatest known extent through a misguided form of humanism, biodiversity is my guiding light. Every species is an original expression achieved through a relatively un-imposed practice of a process. Moreover, each species is sensitive in a unique way.
Humans, through being sensitive to more subtle expressions might be able to evolve better relationships with themselves and other-than-humans through creating mazes for increased places for the practices of strange forms. I believe social innovation is intimately tied to matter and the way it expresses itself.
Humans, through being sensitive to more subtle expressions might be able to evolve better relationships with themselves and other-than-humans through creating mazes for increased places for the practices of strange forms. I believe social innovation is intimately tied to matter and the way it expresses itself.
Matter is also social.
Through being sensitive to particular locations on the earths surface, to the beings that inhabit there and through accentuating mazes of landscape, the entire structure of societies indigenous to places around the world can serve as examples of ways people enhance original expression.
Trying various new approaches brings possibilities for more life.
In ecosystems I observe that the maximum degree of original expression is achieved before it is no longer viable to exist. For example, the plumage of a peacock may seem excessive, but it is a creature that evolved to exist within it’s native habitat. If it would evolve to be so excessive that it couldn’t live then it would cease to exist.
To move towards a maximum degree of life is precarious.
In my temples I use precariousness to be sensitive to different physical forces that create forms. This helps focus our senses towards the forces and forms that increase life in matter.
High technology may seem to permit original expression with a high degree of control, however it usually involves such degrees of imposition that the indirect harm done to biology, and the distance from the maker to the made make it difficult to implement in a sensitive way.
Through distributing diagrams and continuing conversations through various means
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